Author Archives: Jeffrey L. Wilson

Listen to me babble on the People Playing Games podcast!

Not too long ago, a Twitter survey shot through every Nazi’s favorite social network that asked a character-defining question: name the topics you can speak about for 30 minutes with zero prep time. One of my picks was video games. And I spoke about it for 35 minutes on the People Playing Games podcast. That extra five makes the world of difference.

In the pod, host Mike Andronico chats with me about fighting games and breaking into journalism. It’s a fun discussion that’s very much worth a play.

The Dope Science Show

Catch me on The Dope Science Show podcast!

Remember that podcast I wanted to launch? The one I wrote about way back in 2015? Well, it’s coming…soonish. I’m still a few months away from a season one launch, but doesn’t mean I’m completely divorced from the podcast scene. I like gab and jibber jabber, after all.

I recently appeared on Stephany Lowe’s extremely cool The Dope Science Show after the host and I mixed it up and discovered common interests on ye ol’ Instagram. In this ep, we chat about many topics, including the declining bumblebee population, Nintendo Switch, and Black people in the sciences. It’s a lively discussion inter cut with some killer tunes.

So, do Stephany and me a solid by checking out The Dope Science Show at any of the links below!

vinyl record

Why I buy vinyl records

I collected many things in my youth, including video games, baseball cards, comic books, and action figures, but that all-consuming urge to own things has dissipated over the years. It’s something that comes along with maturation, I think, as financial stability becomes more valuable than amassing material items. Although I no longer have the desire to simply accumulate stuff, something deep within me misses the experience. It’s not the items. It’s definitely not the money spent. It’s the hunt.

Until very recently, man needed to stalk or trap prey to enjoy a hearty meal. Technological advances in the last couple of centuries have enabled millions of people to eat without lifting a club, tossing a spear, or firing an arrow. Still, our semi-monkey brains retain the desire to scour environments and return home with the spoils of the hunt. Buying vinyl scratches that itch without an animal bleeding out by my hands.

Although vinyl has seen a recent popularity surge, and perhaps reached its zenith, the discs are printed in relatively low quantities in comparison to CDs, and aren’t as readily accessible as streaming music services, such as Slacker Radio or Spotify. As a result, tracking down, say, The Dirtbombs’ Ultraglide In Black, a soul-rock cover record from one of my favorite indie bands, ain’t no easy task. Not impossible, just not easy. And that’s a major part of the enjoyment, besides the large and beautiful artwork, liner notes, lyrics, and vinyl-specific sound.

There’s an emotion that lies at the intersection of excitement, happiness, and dread that envelops the body upon stepping into a record store. On one hand, there’s the very real possibility that there are multiple scores laid out before you in alphabetical order. On the other hand, there’s the very real chance that you’ll exit the record shop holding a big, fat “L.”

Buying vinyl via an online source doesn’t replicate the brick-and-mortar experience, because you own the records as soon as you complete the checkout process; you simply await the wax’s arrival a few days (or weeks) later. In fact, Amazon immediately blesses you with digital versions of those albums, so you can listen to the music before the vinyl is at your doorstep. It’s a hollow victory, really, as there’s no pleasure in easily obtained booty.

Of course, I realize this is coming from a man who has several physical record stores within walking distance of each other, including Generation Records, In Living Stereo, and Village Music World. It is, dare I say it, a privileged perspective. But in a world in which clothing is just a few mouse clicks away, celebrities exist within a 140-character radius, and food is delivered to your doorstep, the challenge of collecting vinyl is laced with cheap thrills that stimulate an ancient area of my brain. 

Though I wonder what will serve as the next big hunt once all my desired wax is procured.

Image courtesy of shin_gallon.

Doctor Strange

The Marvel Cinematic Universe movie power rankings

Doctor Strange, the most-recent film in Marvel Studios’ Phase 3 story arc, recently hit theaters and concluded the movie house’s 2016 cinema offerings. I enjoyed magic’s introduction to the Marvel Cinematic Universe, the trippy visuals, and all-around solid performances, but the story felt a bit rushed in places (particularly in regards to the not-so-good doctor’s origin and mystic training) and the humor fell on its face. In short, Doctor Strange is a movie that tried to dabble in the dark recesses of the MCU, but suffered from Disney’s family friendly movie constraints.

Now that the Doctor Strange #content is out of the way, I’ve decided that it’s time to update my Marvel Cinematic Universe Power Rankings. I’ve watched every Marvel Studios joint (the films, not the television properties), and placed each flick into one of three categories: Main Eventers, Mid-Carders, and Jobbers. No complex mathematical formulas, no deep thoughts. This was all based off feels.

Here’s how things turned out. Continue reading

NYC Craft Beer Festival Fall 2016

The 5 best beers at NYC Craft Beer Festival (Fall 2016)

The NYC Craft Beer Festival has proven itself one of New York City’s most consistently enjoyable events, as it encourages beer fans, both novices and die hards, to step outside of their malted comfort zones to sample new beverages—even those that appear unappealing on the surface. I’m a prime example of this of this idea. I really, really hate IPAs, but will give one a chance if it carries a particularly interesting flavor hook. Plus, to quote the great Space Ghost, “I will put anything into my mouth that is given to me. Whether it’s supposed to go there or not.” Such gusto opens the door to many discoveries. 

Fortunately, the event boasts dozens of tasty, sample-ready craft beers, including ales, lagers, porters, and stouts. My 2-ounce tasting glass leaned heavily toward the heavier brews, but I made certain to sample as much as I could before Frank Sinatra’s “New York, New York” blared throughout the Lexington Avenue Armory, signaling the festival’s end. I admit to a certain bias for drinks with gimmicky flavors, which is evident in my five beers-of-the-show picks.

Abita Peach
It’s difficult to find a brewery that crafts a truly excellent fruit-based beer, as many overwhelm you with sweetness or skimp on the flavor so that you can barely recognize the fruity elements. Yet, Abita finds that balance with this peach lager, a refreshing treat that’s brewed with fresh, handpicked Louisiana peaches.

Breckenridge Vanilla Porter
I didn’t know what to expect from a vanilla porter, but Breckenridge Brewery delivered a pleasant surprise with this excellent blend that combines the chocolate and roasted nut flavor of a classic porter, with a vanilla punch.

DuClaw Sweet Baby Jesus
Sweet Baby Jesus can be summed up in four words: Chocolate Peanut Butter Porter. Oh, and “delicious.” It’s smooth and thick, with a creamy chocolate, coffee and peanut butter flavor that makes for a perfect after-dinner drink. Pairs well with vanilla ice cream, too.

Guinness Antwerpen
The Guinness brand is forever associated with its classic stout, but the company has made strides in the last two years to expand into the craft market. The result is handful of flavorful beers, with Antwerpen being one of my favorites. Light and creamy, this sweet stout boasts vanilla, butterscotch and dark fruity flavors.

Southern Tier Pumking
I’ve professed my love for this gem last year, so I won’t do so again here. Just click here. And then buy a six pack. TRUST ME ON THIS ONE.

Sweet beers ruled my tongue this time out, and will probably do so again when the NYC Craft Beer Festival Spring 2017 show rolls around.

Happy trails, Harpoon Arctic Ale

My experiences with Harpoon’s brews amount to nothing more than bad luck.

The first time I sipped one of the company’s beers, its delicious Chocolate Stout, I learned hours later that it had been retired and the last batch that was in the wild was truly the last batch in the wild. I was incredibly disappointed.

Harpoon Arctic Ale

Pictured: Harpoon Arctic Ale, a rich combination of coffee, chocolate, and fruit flavors.

So, imagine my surprise when I learned that my second Harpoon beer, Arctic Ale, a delightful drink that blessed my tongues in ways I didn’t know it could be blessed, was also retired. That’s not misfortune; it’s a hop-infused curse.

They say it’s better to have loved and lost than to have never loved at all, a sentiment that rings true in this scenario. Harpoon’s Arctic Ale is one of the best beers I’ve ever tasted. To the eye, Arctic Ale’s dark body may recall a chocolate or oatmeal stout, and it certainly possesses those flavors, but when the liquid hits the tongue, the beer shines with cherry and raisin notes. Each sip brings multiple flavor layers and, due to its fruity elements, lots of sugar. Arctic Ale is a quite a sweet drink.

Yet, Arctic Ale isn’t particularly heavy. It doesn’t have a Pumking-like mouth feel; it’s thinner, but certainly not light. Bud, Arctic Ale is not.

However, the beer is heavy in one area: alcohol content. Arctic Ale weighs in at a very respectable 13 percent ABV, which means that this isn’t a session beer. In fact, I sipped it. Between the alcohol volume and sweetness, Arctic Ale is a beer that you proudly nurse.

So, if you can find Harpoon Arctic Ale in the wild, grab it and down it. The brew is remarkably smooth and potent, which is what I consider the twin winning elements of an alcoholic beverage. And enjoy it while it lasts.

Marvel's Luke Cage Netflix

The Marvel Cinematic Universe TV show power rankings

A rainy New York City weekend, and general laziness on my part, helped free the time needed for me to kick back, grab a snack, and dive into Luke Cage. We live in super-sensitive spoiler culture, so I won’t dive into many details about the show. I’ll say this, however: It’s pretty entertaining, despite some of many massive beefs in regards to Cage’s motivations and “reluctant hero” shtick. Mahershala Ali, Simone Missick, and Alfre Woodard absolutely slay on screen, and keep the boat from sinking into the Sea of Mediocrity.

But Luke Cage isn’t Marvel’s only TV series. In its extremely brief period of existence, the Marvel Cinematic Universe has radically transformed how Hollywood makes movies. The big studios now seek to emulate Marvel Studios’s comic book-style, interconnected formula with Cinematic Universes of their own; there’s talk of several unified movie series, including those based on G.I. JoeGodzilla, Universal’s monsters, and other hot, and not so hot, properties. A 21 Jump Street and Men In Black crossover, Sony? Please send that uncooked duck back to the kitchen.

The Negative Zone-sized gulf between the MCU and those hastily cobbled together universes has grown, and continues to grow, because Marvel Studios gives a damn about the small screen. Yes, DC has Arrow, Gotham, Supergirl, and other programs on the air, but those shows don’t all exist within the same universe. Here’s a bit of info that’s even more bewildering: Warner Bros, DC Comics’s parent company, has confirmed that the small screen properties won’t tie into the big screen story lines, and that the company will likely recast, say, Oliver Queen if that character movies from TV to feature film. The lack of cohesion is quite perplexing.

Marvel Studios’s “everything’s connected” game plan, however, means that a blind vigilante operates in the same universe as a gun-toting raccoon-like creature. It means that a legendary super-soldier lives in the same world where a super-strong PTSD sufferer battles her demons. The comic book-style cross-pollination ensures that geeks have some Marvel merriment in their lives between the tent pole movie releases, with the potential for big gun characters or story beats to appear on television, and vice versa. Who didn’t love Samuel L. Jackson’s Nick Fury appearance in Agents of S.H.I.E.L.D. after the fallout of Captain America: The Winter Soldier?

Now that Marvel Studios has five TV properties scattered between ABC and Netflix, the time has come for me to rank these sum’bitches. As with my Marvel Cinematic Universe Movie Power Rankings, this Marvel Cinematic Universe TV Power Rankings stack-ranks Marvel Studios’s properties from best to worst across three categories: Main-Eventers (the must-watch shows), Mid-Carders (flawed, but recommended, shows), and Jobbers (A.K.A., don’t waste your time).

Let’s get the party started.

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